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          The prints and picture books which 
            you have just given me, and which my brother Percival used to send 
            across the Atlantic, made Japan so vivid to my imagination that I 
            cannot imagine that I have never been there. | 
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      BI. Amy Lowell, 1874~1925
      Introduction 
       
        Primary Materials 
       
      1. A Dome of Many-Coloured 
        Glass, 1912. 
      2. Sword Blades and Poppy Seed, 1914. 
      3. Men, Women and Ghosts, 
        1916. 
      4. Lacquer 
        Prints (1), 1917.  
      5. Lacquer 
        Prints (2), 1917. 
      6. Tendencies in Modern American 
        Poetry, 1917. 
      7. Guns 
        as Keys, 1917. 
      8. Pictures of the Floating World, 1919. 
      9. Introduction to Diaries of Court 
        Ladies of Old Japan, 1920. 
      10. Fir-Flower Tablets, 
        1921. 
      11. Twenty-Four 
        Hokku on a Modern Theme, 1921. 
      12. What’s O’clock, 
        1925. 
      13. Ballads for Sale, 
        1927. 
      14. Selected Poems of Amy Lowell, 1927. 
      15. Letters, 1935. 
      16. Florence Ayscough and Amy Lowell: 
        Correspondence of a Friendship, 
        1945. 
      17. A Shard of Silence: Selected 
        Poems of Amy Lowell, 1957. 
      18. The Correspondence of Amy Lowell 
        and John Gould Fletcher, 1974. 
      19. To John Gould Fletcher [1920], 
        1981. 
      20. Letters, 1984. 
      21. Letter [1919], 1997. 
      22. Unpublished materials. 
       
        Secondary Materials 
       
      23. H[arriet] M[onroe], Miss Lowell’s 
        Polyphonic Prose, 1918. 
      24. Reviews of Pictures of the Floating 
        World, 1919-20. 
      25. Theodore Maynard, The Fallacy of 
        Free Verse, 1921. 
      26. H[arriet] M[onroe], Rubies in a 
        Gate of Stone, 1925. 
      27. Florence Ayscough, Amy Lowell and 
        the Far East, 1926. 
      28.William Leonard Schwartz, A Study 
        of Amy Lowell’s Far Eastern Verse, 1928. 
      29. S. Foster Damon, Amy Lowell, 1935. 
      30. Shôichi Watanabe, Imagist 
        and Haiku—with Special Reference to Amy Lowell, 1967. 
      31. Akira Kawano, Amy Lowell and Haiku 
        and Amy Lowell and Carl Sandburg— Especially in Relation 
        to Japanese Prints, Tanka, and Haiku, 1973-74. 
      32. Jean Gould, Amy, 
        1975. 
      33. Glenn Richard Ruihley, The Thorn 
        of a Rose: Amy Lowell Reconsidered, 
        1975. 
      34. Donald A. Precosky, ‘Make 
        Ezra Pound and the Whole Caboodle of Them Sit Up’: Florence Ayscough 
        and the Lowell-Pound Feud, 1979. 
      35. Michael Katz, Amy Lowell and the 
        Orient, 1981. 
      36. Emiko Yamaguchi, Amy Lowell: Imagism 
        and Orientalism, 1983. 
      37. D. H. Lawrence, To Lowell, 23 March 
        191, 1985. 
      38. William Tay, Ukiyo-e: Waka, Haiku, 
        and Amy Lowell, 1993. 
      39. Marleigh Grayer Ryan, GUNS AS KEYS: 
        James McNeill Whistler as a Metaphor for Japan in a Poem by Amy Lowell, 
        1997. 
      40. Mari Yoshihara, Women’s Asia: 
        American Women and the Gendering of American Orientalism, 1870s-WWII, 
        1997. 
      41. See also. 
       
        
        
        
        
         
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