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The prints and picture books which
you have just given me, and which my brother Percival used to send
across the Atlantic, made Japan so vivid to my imagination that I
cannot imagine that I have never been there. |
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BI. Amy Lowell, 1874~1925
Introduction
Primary Materials
1. A Dome of Many-Coloured
Glass, 1912.
2. Sword Blades and Poppy Seed, 1914.
3. Men, Women and Ghosts,
1916.
4. Lacquer
Prints (1), 1917.
5. Lacquer
Prints (2), 1917.
6. Tendencies in Modern American
Poetry, 1917.
7. Guns
as Keys, 1917.
8. Pictures of the Floating World, 1919.
9. Introduction to Diaries of Court
Ladies of Old Japan, 1920.
10. Fir-Flower Tablets,
1921.
11. Twenty-Four
Hokku on a Modern Theme, 1921.
12. What’s O’clock,
1925.
13. Ballads for Sale,
1927.
14. Selected Poems of Amy Lowell, 1927.
15. Letters, 1935.
16. Florence Ayscough and Amy Lowell:
Correspondence of a Friendship,
1945.
17. A Shard of Silence: Selected
Poems of Amy Lowell, 1957.
18. The Correspondence of Amy Lowell
and John Gould Fletcher, 1974.
19. To John Gould Fletcher [1920],
1981.
20. Letters, 1984.
21. Letter [1919], 1997.
22. Unpublished materials.
Secondary Materials
23. H[arriet] M[onroe], Miss Lowell’s
Polyphonic Prose, 1918.
24. Reviews of Pictures of the Floating
World, 1919-20.
25. Theodore Maynard, The Fallacy of
Free Verse, 1921.
26. H[arriet] M[onroe], Rubies in a
Gate of Stone, 1925.
27. Florence Ayscough, Amy Lowell and
the Far East, 1926.
28.William Leonard Schwartz, A Study
of Amy Lowell’s Far Eastern Verse, 1928.
29. S. Foster Damon, Amy Lowell, 1935.
30. Shôichi Watanabe, Imagist
and Haiku—with Special Reference to Amy Lowell, 1967.
31. Akira Kawano, Amy Lowell and Haiku
and Amy Lowell and Carl Sandburg— Especially in Relation
to Japanese Prints, Tanka, and Haiku, 1973-74.
32. Jean Gould, Amy,
1975.
33. Glenn Richard Ruihley, The Thorn
of a Rose: Amy Lowell Reconsidered,
1975.
34. Donald A. Precosky, ‘Make
Ezra Pound and the Whole Caboodle of Them Sit Up’: Florence Ayscough
and the Lowell-Pound Feud, 1979.
35. Michael Katz, Amy Lowell and the
Orient, 1981.
36. Emiko Yamaguchi, Amy Lowell: Imagism
and Orientalism, 1983.
37. D. H. Lawrence, To Lowell, 23 March
191, 1985.
38. William Tay, Ukiyo-e: Waka, Haiku,
and Amy Lowell, 1993.
39. Marleigh Grayer Ryan, GUNS AS KEYS:
James McNeill Whistler as a Metaphor for Japan in a Poem by Amy Lowell,
1997.
40. Mari Yoshihara, Women’s Asia:
American Women and the Gendering of American Orientalism, 1870s-WWII,
1997.
41. See also.
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