4.2 Roland Barthes
†Atack, Margaret. 1998. Barthes and Utopia. French Cultural Studies 9: 249-56.
Brooks, Peter, and Naomi Schor. 2001. Roland Barthes—twenty years after. Yale Journal of Criticism 14.2: 433-37.
Calhoon, Kenneth S. 1998. Personal effects: Rilke, Barthes, and the matter of photography. MLN 113.3: 612-34.
Culler, Jonathan. 2001. Barthes, theorist. Yale Journal of Criticism 14.2: 439-46.
Jay, Martin. 2001. Roland Barthes and the tricks of experience. Yale Journal of Criticism 14.2: 469-76.
Keefer, Donald. 1995. Reports of the death of the author. Philosophy and Literature 19.1: 78-84.
†Kelly, Michael. 2000. Demystification: A Dialogue between Barthes and Lefebvre. Yale French Studies, no. 98: 79-97.
†Nickel, Douglas. 2000. Roland Barthes and the snapshot. History of Photography 24.3: 232-35.
†Pagan, Nicholas O. 2000. Roland Barthes and the syllogisms of literary criticism. Mosac 33.1: 95-112.
Perrone-Moïses, Leyla. 2001. Leçon: testament and prophecy. Yale Journal of Criticism 14.2: 463-68.
Polan, Dana. 2001. Inexact science: Complexity and contradiction in Roland Barthes’s “classic semiology.” Yale Journal of Criticism 14.2: 453-62.
Reid, Martine. 2001. S/Z revisited. Yale Journal of Criticism 14.2: 447-52.
Saint-Amand, Pierre. 2001. Barthess laziness. Translated by Jennifer Curtiss Gage. Yale Journal of Criticism 14.2: 519-26.
†Scheie, Timothy. 2000. Performing degree zero: Barthes, body, theatre. Theatre Journal 52.2: 161-81.
Stivale, Charles J. 2002. Mythologies revisited: Roland Barthes and the Left. Cultural Studies 16.3: 457-84. 457-84.
Williams, James S. 1998. At the reader’s discretion: On Barthes and cinema. Paragraph 21.1: 45-56.
See also 3.9: Knight; 3.12.1: Raddeker; 3.14: Haverkamp; 3.14.1: Goebel
