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BD. Edmund Blunden12. Oriental Ornamentations. Japan Advertiser, 14 November 1926, p. 6.
Following as it does upon poems in which the speaker is content in Japan (see 1a-b and 3), one cannot help noticing that the contentment was not complete. Here he feels ‘locked in’ and cannot ‘escape’ from the very un-English carvings, sculptings, and paintings of Tokyo, the ‘curving cranes with serpent necks’, ‘red-eyed war gods’, ‘demi-lions’ and other ‘ornamentations’ of the title. In closing lines, however, he is once again comforted by the pastoral similarity between Japan and the England he remembers: ‘Claw-tendrils reach, man-monsters glare; / The victim heart prepares to know / Art’s terror, dragon genius—till / Thought spies one rose or daffodil’. Okada’s suggestion (in 191) that the poem is a source for Yeats’s Byzantium (BL32a) is not supported convincingly. For a different reaction by Blunden to similar carvings, in prose of about the same period, see 13. Reprinted in 18, and in 27 and 30 under the title Ornamentations.
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