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BB. Richard Aldington7. Stream. Little Review, April 1917, pp. 12-13.
In spite of his parody of Pound’s technique of super-position (see 1), Aldington employed it in his work. The first two of four short sections here are among the better examples: ‘Pebbles, that gleam dully, / white, faint ochre, drab green: / mosaic under pale sliding water. // Foam; / mobile crests leaping, sinking: / thin fingers grasping round cold rocks.’ Reprinted in 16.
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