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A. Critical and Comparative Studies
58. Lai, Stanley Sheng-Chuan. ‘Oriental Crosscurrents
in Modern Western Theatre’. PhD thesis, University of California,
Berkeley, 1983. Abstract in DAI 45/3: 0684A.
Traces ‘the conscious pursuit and assimilation of
Oriental philosophy and theatrical practice in Western theatre of the
twentieth century, and concurrent development, independent of conscious
influence, of elements in modern drama that reflect the structure and
spirit of Japanese Noh’. Includes discussion of Yeats’s assimilation
of the form.
 
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